From bestselling author Anne Rivers Siddons comes a bittersweet and finely wrought story of friendship, family, and Charleston society.
At twelve, Emily Parmenter knows alone all too well. Left mostly to herself after her beautiful young mother disappeared and her beloved older brother died, Emily is keenly aware of yearning and loss. Rather than be consumed by sadness, she has built a life around the faded plantation where her remote father and hunting-obsessed brothers raise the legendary Lowcountry Boykin hunting spaniels. It is a meager, narrow, masculine world, but to Emily it has magic: the storied deep-sea dolphins who come regularly to play in Sweetwater Creek; her extraordinary bond with the beautiful dogs she trains; her almost mystic communion with her own spaniel, Elvis; the dreaming old Lowcountry itself. Emily hides from the dreaded world here. It is enough.
And then comes Lulu Foxworth, troubled daughter of a truly grand plantation, who has run away from her hectic Charleston debutante season to spend a healing summer with the quiet marshes and river, and the life-giving dogs. Where Emily's father sees their guest as an entrée to a society he thought forever out of reach, Emily is at once threatened and mystified. Lulu has a powerful enchantment of her own, and this, along with the dark, crippling secret she brings with her, will inevitably blow Emily's magical water world apart and let the real one in -- but at a terrible price.
Poignant and emotionally compelling, Anne Rivers Siddons's Sweetwater Creek draws you into the luminous landscape of the Lowcountry. With characters that linger long after you've turned the last page, this engaging tale is destined to become an instant classic.
On a Thanksgiving eve, just before sunset, Emily and Elvis sat on the bank of a hummock where it slid down into Sweetwater Creek. Autumn in the Lowcountry of South Carolina is usually as slow and sweet as thick tawny port, and just as sleepily intoxicating. But this one had been born cold, with frosts searing late annuals in early October and chill nights so clear and still that the stars over the marshes and creeks bloomed like white chrysanthemums. Sweaters came out a full two months early, and furnaces rumbled dustily on in late September. Already Emily was shivering hard in her thin denim jacket, and had pulled Elvis closer for his body heat. In the morning, the spartina grass would be tinkling with a skin of ice and rime and the tidal creek would run as dark and clear as iced tea, the opaque, teeming strata of creek life having died out early or gone south with migratory birds. Emily missed the ribbons of birdsong you could usually hear well after Thanksgiving, but the whistle of quail and the blatting chorus of ducks and other waterfowl rang clearer, and the chuff and cough of deer come close. Emily loved the sounds of the winter animals; they said that life on the marsh would go on.
They sat on the bank overlooking the little sand beach where the river dolphins came to hurl themselves out of the water after the fish they had herded there. The dolphins were long gone to warmer seas, but at low tide the slide marks they wore into the sand were still distinct. They would not fade away until many more tides had washed them.
"There won't be any of them this late," Emily told Elvis. Elvis grinned up at her; he knew this. The dolphins were for heat and low tide. Girl and spaniel came almost every day in the summer and fall to watch them. Elvis's internal clock was better by far than the motley collection of timepieces back in the farmhouse.
They sat a while longer, as the gold and vermillion sunset dulled to gray-lavender. They would go back to the house soon, or be forced to stumble their way home in the swift, dense dark. Emily hadn't brought her flashlight. She had not thought they would be gone this long. But the prospect of the dim kitchen light and the thick smell of supper, and the even thicker silence, kept her on the marsh. This night would not be a happy one, even by Parmenter standards. Already words had been flung that could not be taken back, and furious tears shed, and the torturous wheel of Thanksgiving day loomed as large as a millstone. No, there would be silence now, each of them drowned in their own pools of it. The speaking was done. It was not the Parmenter way to go back and try to mitigate hurt and anger. By suppertime it would simply not exist anymore, except in Emily's roiling mind. Her father and brothers would be deep in their eating and drinking, and her Aunt Jenny would have gone quietly home to her own silent hearth. Tomorrow she and Emily and old Cleta would prepare the ritual dinner for the returning hunters. Weather or catastrophe, sickness or grinding grief, the Thanksgiving hunt was sacrosanct. Walter Parmenter had instituted it long before Emily's birth.
"All the big plantations have them. It's an old sporting tradition," he said often, to anyone who might be listening. "We, of all the plantation families, should have one. We have the best hunting dogs in the Lowcountry, and some of the best bird land. The other planters talk about our dogs and our land. People tell me they hear about them all the time."
That there were now very few planters left on the huge river and tidal creek plantations around Charleston was, to Walter Parmenter, beside the point.
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“This story, with its haunting, lyrical prose and complex characters...will captivate any reader.”
About the Author
Anne Rivers Siddons bestselling novels include Nora, Nora, Low Country, Up Island, Fault Lines, Downtown, Hill Towns, Colony, Outer Banks, King’s Oak, Peachtree Road, Homeplace, Fox’s Earth, The House Next Door, and Heartbreak Hotel. She is also the author of a work of nonfiction, John Chancellor Makes Me Cry. She and her husband Heyward split their time between their home in Charleston, SC and Brooklin, ME.